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The Art Center Feasibility Study

Juneau Arts and Humanities Council - Wed, 07/13/2016 - 1:30pm
The Art Center (previously referred to at the Willoughby Arts Complex) is moving forward. The project is based on a Feasibility Study produced by The McDowell Group in November 2015. Read: ExecutiveSummary WAC Financial Feasibility Part II 11_24_15
Categories: Arts & Culture

“Weavers Across the Waters” Chilkat/Ravenstail Robe Update

Clarissa Rizal: Alaska Native Artist Blog - Wed, 07/13/2016 - 10:38am

As of June 9th, 2016, these are the very first 5×5 contributions from the following weavers:  Stephany Anderson, Kay Parker, Willy White, Alfreda Lang, Sandy Gagnon, and Dolly Garza

Being the creator (or “mastermind as my Mother would have put it) of this community-based project, would I had known that when I have receive each of these priceless 5×5 woven Chilkat and Ravenstail weavings, I would feel such honor and a privilege to hold each one in the palm of my hands!?  Would I have known that I would feel such pure and raw power in each simple image!?  And would I have known that I would feel such intense protectiveness as I hand-carried these in my carry-on luggage; like worse than when I am transporting a robe that I have designed and made!?!? — In the purity of this power, I feel immense grace and lovingness; I feel such excitement and peace; I feel strength and healing; I feel the connectedness of all beings through the anticipation of connecting all of these weavers’ weavings together.  This is already a powerful robe.  My goodness, we share in the excitement and most likely all of what I feel too in the completion of this robe!

As of today, July 13, 2016, we have 23 total contributions received from (top to bottom, L to R): Della Cheney, Margaret Woods, Douglas Gray, Lily Hope, Nila Rinehart, Kay Parker, Stephanie Andersen, William White, Karen Taug, Courtney Jensen, Alfreda Lang, Chloe French, Dolly Garza, Georgia Bennett, Rainy Kasko, John Beard, Michelle Gray, Marilee Peterson, Annie Ross, Sandy Gagnon, Pearl Innes, Veronica Ryan and Crystal Nelson

The past couple of nights since my return to Tulsa, which is where I will be working day and night on putting this robe together for the next month, I put a cloth cover over all the little weavings who lay side by side with one another, like the way we cover our weavings for the night.  Already these little ones have become dear.  —-  Thank you to all our present-day weavers who have contributed their talent through a piece of their spirit to become unified as one in this special, ceremonial robe.  We look forward to receiving the other 31 pieces due by the extended deadline of July 19th!

Remember to mail your contribution insured to me at:  Clarissa Rizal, 40 East Cameron Street #207, Tulsa, OK   74103

For more information on the mission and purpose of this robe, please visit the initial “invitational” blog post by clicking this link:  http://clarissarizal.com/blog/calling-all-chilkat-and-ravenstail-weavers/  

Categories: Arts & Culture

11 Juneau Reps attend Arts Integration Conference in D.C.

Juneau Arts and Humanities Council - Mon, 07/11/2016 - 1:35pm
A team of Juneau educators traveled to Washington, D.C. at the end of June for a three-day conference on Arts Integration sponsored by the John F. Kennedy Center for the Performing Arts.  The team included four principals, an art specialist, and … Continue reading →
Categories: Arts & Culture

Two Poets Talking

What Turtle Blood Tastes Like - Tue, 05/24/2016 - 10:10am

One of my favorite poets, David Budbill has been dealing with rapidly declining health lately and while the conversations I’ve had with him over the years have been marked by a striking optimism, the challenges of being a writer who is losing the physical ability to write are becoming too much for even the most optimistic and zen of mountain recluse poets.   Here’s a recent conversation between Budbill and longtime friend, David French.  HIt the link for the full conversation, http://www.davidbudbill.com/1500/a-conversation-with-david-budbill

David French’s questions and comments are in italics. Unless otherwise indicated, all the poems are David Budbill’s.

But let’s talk about what’s happening in your life right now.

The major thing that I’m dealing with is my Parkinson’s disease, my rare form of Parkinson’s disease. It has incapacitated me and made me incapable of all the things I used to love to do: I would cut wood and garden and mow, and I can’t do any of those anymore. So I’ve had to revise my life completely. So far I haven’t revised my life; I’ve just cancelled it, dropped out.

Now that’s not entirely true, because before I dropped out, I was able to finish a novel and a short story and a collection of poems, and they’re all coming out in the next year. So I did that before I cancelled my life.

The last time I was here, you said all this happened a year ago, when you moved to Montpelier.

True.

Up until then, you’d still been working on your novel and your stories and your poem.

I suppose, yeah.

There recently was a song cycle of your poems at the Elley-Long Music Center. One song was about doing things for the last time. It was beautiful, but with an ache to it. You must have done a lot of that leaving Wolcott, walking around, looking around, knowing that was the last time you’d cut this wood or stack it or put it in the stove.

It was. Yeah, it was heartbreaking, because that was my identity, and now it’s no longer that. Which is no doubt one of the reasons I’m in limbo now.

So you’re not writing now.

No, I’m not.

You’re not making music.

No.

Another theme that keeps coming up in your poetry, sometimes in very funny ways, is the lament over not having been a major voice in the poetry world. You wrote about the life of “genteel poverty and meditation” you lead:

…which gives me lots of time

to gnash my teeth and worry over

how I want to be known and read

by everyone and have admirers

everywhere and lots of money!

Is that something you would still write a poem about at this point, or is that an old theme that isn’t something you think about anymore?

I certainly think about it.

You still do?

Yeah.

You would like to be higher on whatever the poetry best-seller list is?

Yeah.

And have more money from it, recognition.

Yeah. Of course, who wouldn’t?

You’ve written:

When I came to Judevine Mountain

I thought

all my troubles would cease,

but I brought… my ambition –

so now, still,

all I know is grief.

Well, that’s true. I have this thing about ambition. I can’t live with it, and I can’t live without it.

 


Filed under: Poetry
Categories: Arts & Culture
 

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