Diane Dunn sits, surrounded by 2000 journals she made and painted by hand, on Tuesday, Jan. 3, 2023, ahead of the opening of “2000 Journals: Filling the Void” at the Kenai Art Center in Kenai, Alaska. (Jake Dye/Peninsula Clarion)

Diane Dunn sits, surrounded by 2000 journals she made and painted by hand, on Tuesday, Jan. 3, 2023, ahead of the opening of “2000 Journals: Filling the Void” at the Kenai Art Center in Kenai, Alaska. (Jake Dye/Peninsula Clarion)

‘2000 Journals’ convey more than words in new art show

The show will also feature a performance and audience participation element

At the Kenai Art Center, 2,000 journals cover the floor, line the walls or are displayed on pedestals. Each was handcrafted with a unique design by local multimedia artist Diane Dunn.

The journals will be on display throughout January, in a solo exhibition titled “2000 Journals: Filling the Void,” beginning with an opening reception Thursday at 5 p.m. The show will also feature a performance and audience participation element, as Dunn will be present each Wednesday working at a desk in the middle of the room, writing her thoughts into a 500-page journal.

Dunn said Tuesday that she began creating the journals in November 2021.

“I think I was looking for some type of outlet for emotions and things that were going on in my life,” she said. “A lot of it is abstract, but it was a reflection of what was going on.”

The 2,000 journals on the floor sit empty — their covers, each a work of art, are the content that would have been contained within. Feelings and thoughts are represented in images instead of words.

Dunn said she could look at any of the journals and tell how she was feeling and what was happening. On Tuesday, she looked at the array of journals, pointing out a pile of stones she stacked with a friend in June, a bowhead whale vertebrae that her friend thought was a dinosaur fossil, a fern, a child’s mitten, an image of herself in Buddhist robes.

The number 2,000 is somewhat arbitrary, Dunn said. She wanted a big number, she wanted to push herself to achieve that goal artistically. A stack of 20 boxes sit in the corner, each formerly containing 100 of the journals.

“I wanted to convey the enormity of it,” Dunn said. “The big emotion that the whole thing reflects.”

As the journals were set up at the center on Tuesday, they were largely in chronological order. Those closest to the entrance were the first to be crafted, while those on the other end were the last — completed around September of last year.

That will not remain the case, as attendees are encouraged to pick up and look through the stacks of journals, and are even permitted to write in them, before returning them to any space on the gallery floor.

“It’s this kind of organic, moving piece. I’m hoping people will engage that way,” Dunn said. “I like engaging the audience in a kind of passive way. I’m not one-on-one with them, but my art is.”

In an artist statement prepared by Dunn, she writes that, during performances, one attendee at a time may enter her journaling space and read over her shoulder.

“I ask that you do so in silence,” she writes. “You the observer become the observed.”

The 500-page journal Dunn has prepared for the purpose of the performance is by far the largest of the set, with most of the others containing only 10 pages, but Dunn said she intends to fill it entirely by the end of the show.

Her journaling space sits at the center of the array of journals, accessible by a small path. That positioning is symbolic to Dunn, who said that she finds comfort surrounding herself with creativity.

A video will also be played in the gallery showing the process of Dunn cutting the pages, printing on them, and binding them. Across the 2,000 journals, Dunn wrote in her statement that she used 4,000 mono-printed covers, more than 20,000 hand-cut pages and around 1,700 yards of waxed thread.

The exhibition will be available from Jan. 5 to 28 during Kenai Art Center business hours, noon to 5 p.m. Wednesday through Saturday. For more information about the exhibition or the Kenai Art Center, visit kenaiartcenter.org.

Reach reporter Jake Dye at jacob.dye@peninsulaclarion.com.

Diane Dunn sits, surrounded by 2000 journals she made and painted by hand, on Tuesday, Jan. 3, 2023, ahead of the opening of “2000 Journals: Filling the Void” at the Kenai Art Center in Kenai, Alaska. (Jake Dye/Peninsula Clarion)

Diane Dunn sits, surrounded by 2000 journals she made and painted by hand, on Tuesday, Jan. 3, 2023, ahead of the opening of “2000 Journals: Filling the Void” at the Kenai Art Center in Kenai, Alaska. (Jake Dye/Peninsula Clarion)

Stacks of journals cover a large space of the floor on Tuesday, Jan. 3, 2023, ahead of the opening of Diane Dunn’s “2000 Journals: Filling the Void” at the Kenai Art Center in Kenai, Alaska. (Jake Dye/Peninsula Clarion)

Stacks of journals cover a large space of the floor on Tuesday, Jan. 3, 2023, ahead of the opening of Diane Dunn’s “2000 Journals: Filling the Void” at the Kenai Art Center in Kenai, Alaska. (Jake Dye/Peninsula Clarion)

Stacks of journals cover a large space of the floor on Tuesday, Jan. 3, 2023, ahead of the opening of Diane Dunn’s “2000 Journals: Filling the Void” at the Kenai Art Center in Kenai, Alaska. (Jake Dye/Peninsula Clarion)

Stacks of journals cover a large space of the floor on Tuesday, Jan. 3, 2023, ahead of the opening of Diane Dunn’s “2000 Journals: Filling the Void” at the Kenai Art Center in Kenai, Alaska. (Jake Dye/Peninsula Clarion)

Diane Dunn places a journal that she made and painted by hand, on Tuesday, Jan. 3, 2023, ahead of the opening of “2000 Journals: Filling the Void” at the Kenai Art Center in Kenai, Alaska. (Jake Dye/Peninsula Clarion)

Diane Dunn places a journal that she made and painted by hand, on Tuesday, Jan. 3, 2023, ahead of the opening of “2000 Journals: Filling the Void” at the Kenai Art Center in Kenai, Alaska. (Jake Dye/Peninsula Clarion)

Handmade journals rest on stands on Tuesday, Jan. 3, 2023, ahead of the opening of Diane Dunn’s “2000 Journals: Filling the Void” at the Kenai Art Center in Kenai, Alaska. (Jake Dye/Peninsula Clarion)

Handmade journals rest on stands on Tuesday, Jan. 3, 2023, ahead of the opening of Diane Dunn’s “2000 Journals: Filling the Void” at the Kenai Art Center in Kenai, Alaska. (Jake Dye/Peninsula Clarion)

Two handmade journals rest on stands on Tuesday, Jan. 3, 2023, ahead of the opening of Diane Dunn’s “2000 Journals: Filling the Void” at the Kenai Art Center in Kenai, Alaska. Dunn explained that this journal was special, a plea to her daughter. (Jake Dye/Peninsula Clarion)

Two handmade journals rest on stands on Tuesday, Jan. 3, 2023, ahead of the opening of Diane Dunn’s “2000 Journals: Filling the Void” at the Kenai Art Center in Kenai, Alaska. Dunn explained that this journal was special, a plea to her daughter. (Jake Dye/Peninsula Clarion)

Boxes which were once filled with 2000 journals sit empty on Tuesday, Jan. 3, 2023, ahead of the opening of Diane Dunn’s “2000 Journals: Filling the Void” at the Kenai Art Center in Kenai, Alaska. (Jake Dye/Peninsula Clarion)

Boxes which were once filled with 2000 journals sit empty on Tuesday, Jan. 3, 2023, ahead of the opening of Diane Dunn’s “2000 Journals: Filling the Void” at the Kenai Art Center in Kenai, Alaska. (Jake Dye/Peninsula Clarion)

More in Life

Photo provided by Sara Hondel
Sara Hondel stands with a leprechaun during Sweeney’s St. Patrick’s Day Parade in Soldotna on Sunday. Green, leprechauns and Nugget the Moose poured down the streets for the 34th annual parade hosted by the Soldotna Chamber of Commerce. Under cloudy skies — but fortunately no precipitation — a procession of viridescent celebrants representing businesses and organizations brought festivities to an array of attendees lining Redoubt Avenue.
Go green or go home

Soldotna turns out for St. Patrick’s Day parade

William Raymond “W.R.” Benson (front row, far right) poses along with the rest of the Sigma Nu fraternity at Albion College in Michigan in about 1908. Despite a lifetime spent in the public eye, Benson was apparently seldom captured on film. This image is one of the few photos of him known to exist. (photo from the 1908 Albion College yearbook via ancestry.com)
Hometown Booster: The W.R. Benson Story — Part 1

W.R. Benson was a man almost constantly in motion

Will Morrow (courtesy)
Obsolete?

As it turns out, I still use a whole lot of “obsolete” things

File
Minister’s Message: In search of your heavenly place

There is a heavenly place that is real and not just figurative

Dancers rehearse the all-company jazz routine “Steamed Heat,” from the Broadway musical “The Pajama Game.” (Photo provided by Forever Dance Alaska)
Forever Classical

‘A Night with the Classics’ channels old Hollywood with a ‘red carpet awards night’ vibe

Tantanmen, a 30-minute ramen dish, doesn’t sacrifice flavor or wholesomeness for speed. (Photo by Tressa Dale/Peninsula Clarion)
Ramen that satisfies

Tantanmen features a milky, nutty broth and can be on the table in under 30 minutes

Sara DeVolld works on “Towards the Sun,” a dress she designed that was featured in February’s Trend Alaska 2024 Fashion Show. (Photo provided by Shona DeVolld)
Fashioning with light

Soldotna student’s designs featured in statewide fashion shows

Sandra Hüller portrays Sandra Voyter in “Anatomy of a Fall.” (Promotional photo courtesy Neon)
On the Screen: ‘Anatomy of a Fall’ is dense, rapturous

I’m disappointed I had to wait so long to get the opportunity to see this film

An Alaska Native man walks towards an Orthodox church in a screenshot from “Sacred Alaska.” (Promotional image courtesy Simon Scionka)
Church to screen film exploring Orthodox connection to Alaska Native cultures

“Sacred Alaska” screening will be held at the Kenai Chamber of Commerce and Visitor’s Center and start at 6 p.m.

Most Read